Thursday 28 November 2013

Context that Changed Design - Entry #18



“Organic Design” ……


 

In the late 19th century, Charles Rennie Mackintosh and Frank Lloyd Wright prepared the way for Organic Design in architecture – their architectural projects, as a whole, showed unity and the qualities of nature.  The Organic approach was all about a connection between separate elements (for example pieces of furniture and objects) and their surroundings.  The surroundings, not only included the interior of rooms but also the building as a whole, and its surrounding environment.  So, it was very important that the designs of the interiors connected with everything else around it – this involved conformity between dimensions, colours and material used.  The good connection of furniture with the individual users had to be both visibly and practically – the look and the function of the furniture.

 

Organic Design is associated with natural materials, for example wood.  Alvar Aalto, who was one of the greatest recommenders of Organic Design, believed that wood was “the form-inspiring, deeply human material” and that natural materials had a good effect on people because they satisfied their functional and emotional needs.  In the late 1920s and early 1930s, Aalto began experimenting with wood – by bending it – and this led to his innovative chairs.  His moulded plywood and laminated wood seat furniture revealed “soft flowing curves”.  Until that time, organic forms had rarely been used in organic designs.  Alvar Aalto’s modern chair designs certainly opposed the elevated geometric forms that were used in the International Style (that I wrote about a few days ago).


Savoy Vase, Model no. 3031
 Savoy Vase, Model no.3031
Designophy, (2011), Savoy Vase, Model no.3031 [ONLINE].
Available at: http://www.designophy.com/uploadedimages/tmn/2009/01/09/148_5.jpg
[Accessed 28 November 13]
 
 
Paimio chair, Model no.41
Paimio chair, Model no.41
Designophy, (2011), Paimio chair, Model no.41 [ONLINE].
Available at: http://www.designophy.com/uploadedimages/tmn/2009/01/09/148_2.jpg
 [Accessed 28 November 13]

 
Stool, Model no.60
Alvar Aalto. Stacking Stools (model 60). 1932-33
Je suis femme d`auriculaire y un poco indecisa tambien, (2013), 60 stacking stool (1933) [ONLINE]. Available at: http://www.moma.org/collection_images/resized/058/w500h420/CRI_171058.jpg
 [Accessed 28 November 13]






In 1940, a competition organized in New York by Eliot Fette Noyes marked a stage in the history of design.  The competition was entitled “Organic Design in Home Furnishings” and Noyes’ aim was to publicize this new approach to design.  In the catalogue, which was produced at the same time as the competition, Noyes described the Organic Design as:
 
a harmonious organization of the parts within the whole, according to structure, material, and purpose.  Within this definition there can be no vain ornamentation or superfluity, but the part of beauty is none the less great – in ideal choice of material, in visual refinement, and in the rational elegance of things intended for use.”


 
Modernism 101: from aalto to zwart, (2013), ORGANIC DESIGN IN HOME FURNISHINGS [ONLINE].
Available at: http://www.modernism101.com/images/m101_organic_design.jpg
[Accessed 28 November 13]




The Contents of the Book:
  • Organic Design
  • Winning Designers
  • Acknowledgments
  • A Note on the Competition
  • Outline of the Development of Modern Furniture
  • Unit Furniture
  • Chair Construction
  • Chairs by Saarinen and Eames
  • Furniture by Craig and Hatfield
  • Furniture by Nicholson and Maier
  • Furniture by Stonorov and Von Moltke
  • Furniture by Saarinen and Eames
  • Furniture by Anderson and Bellah
  • Furniture by Weese and Baldwin
  • Lamps by Pfisterer
  • Weaves by Marli Ehrman
  • Prints by Antonin Raymond
  • Latin American Designs
  • Selected Bibliography
  • Biographical Index


Organic Armchair by Eero Saarinen and Charles Eames
Phaidon Club, (2006), Phaidon Design Classic, No. 289 [ONLINE].
Available at: http://www.phaidon.com/resource/charles-eames-289-02.jpg
[Accessed 28 November 13]
Eero Saarinen and Charles Eames together submitted their designs for the “Seating for a Living Room” category in the above-mentioned competition.  Apart from being prize-winning entries, their designs were amongst the most important furniture of the 20th century and other designers were greatly inspired by their works.  Later designs – such as the moulded plywood chairs (1945-1946) by Charles and Ray Eames, and the womb chair (1947-1948) by Eero Saarinen – showed how much they aimed for unity in their organic furniture designs.   This was revealed in the structures, functions and the materials used.
 
Moulded plywood chairs (1945-1946) by Charles and Ray Eames 
Miniature LCW in natural, black & red
 Picture
MiniatureChairMan, (2013), Organic Armchair Charles Charles and Ray Eames - Plywood Group [ONLINE]. Available at: http://www.miniaturechairman.com/uploads/2/7/1/9/2719619/5627416_orig.jpg
[Accessed 28 November 13]
 
One of the most extraordinary buildings of the 20th century is the TWA Terminal at Kennedy Airport – the masterpiece of Eero Saarinen – a remarkable example of Organic Design in Architecture.


Conde Nast Traveler, (2013), Courtesy Port Authority NY/NJ [ONLINE].
[Accessed 28 November 13]
 
 

Other References:



Designophy. 2011. Alvar Aalto. [ONLINE] Available at: http://www.designophy.com/designpedia/photoalbum.php?pn=f1&pid=1000000008. [Accessed 28 November 13]
 
Je suis femme d`auriculaire y un poco indecisa tambien. 2013. **la PAIMIO LOUNGE CHAIR de Alvar Aalto (1930) . [ONLINE] Available at: http://jesuisfemmedauriculaire.blogspot.com/2012/10/la-paimio-lounge-chair-de-alvar-aalto.html. [Accessed 28 November 13]
 
Modernism 101: from aalto to zwart. 2013. ORGANIC DESIGN IN HOME FURNISHINGS . [ONLINE] Available at: http://www.modernism101.com/noyes_organic_design.php.
[Accessed 28 November 13]
 
Vitra Design Museum. 2013. Organic Armchair Charles Eames and Eero Saarinen.
 [Accessed 28 November 13]


Book: Fiell, C.F and P.F, 1999. Design of the 20th Century. 2nd ed. Germany: Taschen

Monday 25 November 2013

Context that Changed Design - Entry #17


“Art Deco Revival” ……



In the 1960s Art Deco was revived by the collectors’ market and by young designers who were fed up of Modernism. 




rubylane vintage begins here, (2013), Silk Head Scarf Vintage Art Deco Revival 1960's [ONLINE]. Available at: http://www.google.com/url?sa=i&rct=j&q=&esrc=s&frm=1&source=images&cd=&cad=rja&docid=bT42aP796CxMhM&tbnid=ySzqDI56Y
73P5M:&ved=0CAUQjRw&url=http%3A%2F%2Fwww.rubylane.com%2Fitem%2F676693-A681%2FSilk-Head-Scarf-Vintage-Art&ei=UOahUomYDYa50QXJqYGgBA&bvm=bv.57752919,d.bGE&psig=AFQjCNE_w_U-KxoTHsccO4sGEJZd48
2K4w&ust=1386428363343906 [Accessed 25 November 13]


Then in the 1980s there were post-modern designers, for example Robert Venturi, Hans Hollein and Charles Jencks, whose works paid homage to Art Deco.


Robert Venturi with the Venturi Collection (c.1984)
Picture
MiniatureChairMan, (2012), The Melerski Collection - Dimensions of Design [ONLINE]. Available at: http://www.miniaturechairman.com/uploads/2/7/1/9/2719619/7876738_orig.jpg
[Accessed 25 November 13]




"Marilyn" by Hans Hollein for Poltronova (1981)

Stylepark, (2013), Marilyn“ by Hans Hollein for Poltronova [ONLINE].
Available at: http://www.stylepark.com/db-images/cms/article/img/l2_v327695_958_480_379-26.jpg
 [Accessed 25 November 13]


The Sun Chair that Charles Jencks designed in 1983 for the Thermatic House in London

studyblue, (2013), Final [ONLINE].
Available at: http://classconnection.s3.amazonaws.com/123/flashcards/2903123/png/sun_chair-13F31EC11B741F8E680.png
 [Accessed 25 November 13]






 Vintage Pierre Bex Art Deco Revival Pin Enamel Teal and Gold Brooch Collar Brooch Lapel Pin 1980s
featherdustvintage , (2013), Vintage Pierre Bex Art Deco Revival Pin Enamel
 Teal and Gold Brooch Collar Brooch Lapel Pin 1980s [ONLINE].
[Accessed 25 November 13]






Other References:


MiniatureChairMan. 2012. The Melerski Collection - prototype miniature Venturi Queen Anne and Wewerka W1 chairs. [ONLINE] Available at: http://www.miniaturechairman.com/54/post/2012/10/the-melerski-collection-prototype-miniature-venturi-queen-anne-and-wewerka-w1-chairs.html
[Accessed 25 November 13]


rubylane vintage begins here. 2013. Silk Head Scarf Vintage Art Deco Revival 1960's. [ONLINE]
[Accessed 25 November 13]


Etsy. 2013. Vintage Pierre Bex Art Deco Revival Pin Enamel Teal and Gold Brooch Collar Brooch Lapel Pin 1980s. [ONLINE]
 [Accessed 25 November 13]

Book: Fiell, C.F and P.F, 1999. Design of the 20th Century. 2nd ed. Germany: Taschen

Saturday 23 November 2013

Context that Changed Design - Entry #16



“Art Deco” ……


 

Art Deco became known in Paris in the 1920s.  It was not exactly an art/design movement. It was an international decorative style. 

It was decided that the name for this new style was to be “Art Deco” after the exhibition that was held in Paris in 1925.  The exhibition was entitled, “Exposition Internationale des Arts Décoratifs et Industriels Modernes”.  Well-known Art Deco designers, including Pierre-Émile Legrain, exhibited their works.  In this exhibition there were also:

·         Le Corbusier’s “Pavillon de l’Esprit Nouveau”
 


Fondation Le Corbusier , (2013), Pavillon de l'Esprit Nouveau, Paris


[Accessed 23 November 13]


·         Ruhlmann’s “The Grand Salon, Hotel du Collectionneur”
 
front
studyblue, (2013), The Grand Salon, Hotel du Collectionneur [ONLINE]. Available at: http://classconnection.s3.amazonaws.com/458/flashcards/33458/jpg/picture361336959548868.jpg
[Accessed 23 November 13]


Art Deco designers were influenced by various sources such as the ancient Egyptian culture, tribal art, Surrealism, Futurism, Constructivism, Neo-Classicism, geometric abstract qualities, prevailing culture, Russian ballet companies and the Modern Movement.
 
Certain factors revealed in Art Deco had already appeared before, for example in the works of the Wiener Werkstätte and of the Russian Constructivists (that I have already written about).
 
The most important promoters of Art Deco, including Jacques-Émile Ruhlmann, united high quality craftsmanship with exotic woods and expensive materials (for example Shagreen, enamel, ivory, ebony and mother-of-pearl) in their designs.  The designs were not considered as progressive though, because they were not suitable for industrial production. Art Deco used to rely on private patrons, including the French fashion designers Paul Poiret and Jacques Doucet.

Le Corbusier and Jean Prouvé, who were both connected to the Modern Movement, were occasionally inspired by the richness of Art Deco.  René Lalique (whom I mentioned earlier on, when I was writing about the Art Nouveau style) produced a considerable range of Art Deco glass items.  Even other designers, such as Jean Dunand, Edgar-William Brandt and modernists Eileen Gray, Pierre Chareau and Robert Mallet-Stevens created Art Deco products.

After 1925, the characteristics of Art Deco could be seen in works of several designers, not only in France, but all over Europe (the mainland and Britain) and also in America.  Examples include:


In America:


·         “Skyscraper” furniture by Paul Frankl

Date in Design, (2012), “Skyscraper Furniture” [ONLINE]. Available at: http://4.bp.blogspot.com/-J48ZlOKtRps/UHMaB4Djc4I/AAAAAAAAAaM/2G3O9ZdqkvY/s1600/
frankl_tower_complete.jpg [Accessed 23 November 13]

 
·         The “Chrysler Building” in New York by architect William van Alen

 

William Van Alen’s evolution of the Chrysler Building, 1928-29, New York
tumblr., (2013), William Van Alen’s evolution of the Chrysler Building, 1928-29, New York [ONLINE]. Available at: http://archimaps.tumblr.com/post/3309484761/van-alens-evolution-of-the-chrysler-building
[Accessed 23 November 13]

In Britain:

·         Architecture and product designs by Wells Coates

·         The designs of the cinemas owned by Odeon, such as the following building  which was built in Kingstanding, Birmingham (picture taken in 1935):
 Odeon cinema West Midlands Birmingham
Daily Mail Reporter, (2009), From bargain-bin store to bingo hall, the sad fate of the Odeon popcorn palaces [ONLINE]. Available at: http://i.dailymail.co.uk/i/pix/2009/05/12/article-0-04E96EFE000005DC-823_634x416.jpg [Accessed 23 November 13]



During the 1930s, when Art Deco became very popular due to its glamorous Hollywood style, the prevailing manufacturers fully accepted this style for their products.  Art Deco radio casings and an excessive amount of other objects made out of the thermo-plastic Bakelite were mass-produced in the 1930s.  However, these products were tastleless and lowered the quality of the Art Deco style that started in France in the 1920s.

As the Second World War was approaching, the Art Deco style came to an end because its beautiful decorations could no longer be sustained.
 



Other References:

Fondation Le Corbusier. 2013. Fondation Le Corbusier . [ONLINE]
 [Accessed 23 November 13]
 
studyblue. 2013. Final. [ONLINE]
[Accessed 23 November 13]

Date in design. 2012. Miles-Meier-Frankl (8-14 October) . [ONLINE]
 [Accessed 23 November 13]
 
tumblr.. 2013. “NOTHING IS ORIGINAL STEAL FROM ANYWHERE". [ONLINE] Available at: http://paavo.tumblr.com/post/3383676651. [Accessed 23 November 13]

Reviva Weddings. 2010. The Wedding Decorator. [ONLINE]
[Accessed 23 November 13]

Book: Fiell, C.F and P.F, 1999. Design of the 20th Century. 2nd ed. Germany: Taschen


Thursday 21 November 2013

Context that Changed Design - Entry #15



International Style ……

 
 
In 1931 Alfred H. Barr Jr., who was the director of the Museum of Modern Art in New York, introduced the expression “International Style” for the catalogue “International Style: Architecture Since 1922”.  After analysing the works of Modernism designers and architects, including Le Corbusier, Jacobus Johannes Pieter Oud, Walter Gropius and Ludwig Mies van der Rohe, Barr recognised a universal artistic/architectural style which the West had not seen since the Middle Ages.  During the Middle Ages the International Gothic Style was very successful on the European continent and so the new 20th century International Style was named after it.


 
Graham McKay , (2012), THE INTERNATIONAL STYLE: ARCHITECTURE SINCE 1922, by Henry-Russell Hitchcock, Jr., and Philip Johnson. W. W. Norton and Co. New York, 1932. $5.
 [Accessed 21 November 13]
Chapter 25 - International Style - Furniture Designer - French architecture Charles Edouard Jeanneret known as Le Corbusier, 1930
Whitney Lockhart, (2013), Chapter 25 - International Style - Furniture Designer - French architecture Charles Edouard Jeanneret known as Le Corbusier, 1930
 [Accessed 21 November 13]
 
 
 
Le Corbusier A City of Towers
 bluesteel , (2013), Le Corbusier ‘s “A City of Towers” from 1923. [ONLINE]. Available at: http://wildrocketsledgeride.com/wp-content/uploads/2012/05/Le-Corbusier-A-City-of-Towers1.jpg [Accessed 21 November 13]
 
 
 File:J.J.P. Oud.jpg
Wikipedia, (2013), File:J.J.P. Oud.jpg [ONLINE]. Available at: http://upload.wikimedia.org/wikipedia/commons/thumb/e/ed/J.J.P._Oud.jpg/368px-J.J.P._Oud.jpg
[Accessed 21 November 13]
 
 JACOBUS JOHANNES PIETER OUD; Holland
Christie`s, (2013), JACOBUS JOHANNES PIETER OUD; Holland armchair [ONLINE].
 [Accessed 21 November 13]


 
As I mentioned earlier on, Walter Gropius and Ludwig Mies van der Rohe emigrated to the United States after Bauhaus was closed down in 1933.  In America, they continued to do architectural works and hold exhibitions, and after the war years, they occupied high teaching positions.  They worked hard to make Modernism “international”.  In fact, Gropius and Mies were the greatest promoters of the International Style which referred to the work of the Modern Movement architects and designers.



Ludwig Mies van Rohe Portrait

Vitra Design Museum, (2013), Ludwig Mies van der Rohe [ONLINE].

Available at:http://www.design-museum.de/typo3temp/pics/Mies_van_Rohe_sw.crop498x498_01_42a6c9de4b.jpg

 [Accessed 21 November 13]
Answers, (2013), Walter Gropius [ONLINE].
 [Accessed 21 November 13]
 
Image
politecture , (2011), America Changed the Man who Changed American Modern Architecture [ONLINE]. Available at: http://politecture.files.wordpress.com/2011/11/miesvanderrohe.jpg
[Accessed 21 November 13]

 

The characteristics of the International Style were power, elegance and clarity.

The designers that came after the War, including Florence Knoll, Charles Eames and George Nelson, united the modern international approach with methods of industrial mass-production, and so their creations complied with the principles of good design.

In the 1920s and 1930s, geometric forms, industrial materials (for example steel and glass) and white rendering were characteristics of the International Style, when it came to architecture and interior design.

Later, architects and designers, such as Eero Saarinen and Charles Eames, started to produce sculptures and reveal differences between geometric and organic forms in order to give a human quality to the International Style.
 
 
saarinenmont_400
Lushpad, (2013), Eero Saarinen [ONLINE].
 [Accessed 21 November 13]
 
 
 raycharleseamesmont_400Lushpad, (2013), Charles Eames [ONLINE].  
[Accessed 21 November 13]
  
 
 
Others, including Kenzō Tange, created a heavy plain style of architecture by using certain materials and certain applications to surfaces (for example exposed rough-cast concrete).
 
Kenzo Tange at KTA.jpg

Wikipedia, (2013), File:Kenzo Tange at KTA.jpg [ONLINE].


[Accessed 21 November 13]



My Artchtectural Moleskine, (2011), KENZO TANGE: YOYOGI NATIONAL GYMNASIUM, TOKYO [ONLINE].Available at:
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSOg9H6zx4X3K00RziRkCRlHBfvSnKt8ePv_lpLUfR2KOni17XnmxMs07J-2xjzBLSwP__bi1C-nGVtd0zzvl6rFXe7acjV8SatQWbuNeG9-mnghjZtKN5VJ_fw4jYXGu6S8oPsFENYC4t/s1600/Untitled_
Panorama1%2Bcopy.jpg
[Accessed 21 November 13]



Although the International Style seemed to come to an end in 1980, certain buildings designed by architects of the late 1980s and 1990s, including Norman Foster and Richard Rogers, had the characteristics of the International Style. 
 
NormanfosterFeatured
Not Shown For Clarity, (2013), Norman Foster – How to architect [ONLINE]. Available at: http://www.vatjaiswal.com/wp-content/uploads/2013/10/NormanfosterFeatured-750x375.jpg
[Accessed 21 November 13]
Jorge Chapa,, (2007), AND THE PRIZKER GOES TO... Richard Rogers [ONLINE].
[Accessed 21 November 13]
 
 

 

Other References:

MISFITS' ARCHITECTURE. 2012. The New Objectivity. [ONLINE] Available at: http://misfitsarchitecture.com/tag/the-international-style-1932/.
[Accessed 21 November 13]
 
 Pinterest. 2013. Swiss/International Style Architect(ure).
[Accessed 21 November 13]
 
Wild Rocket Sledge Ride . 2013. Wild Rocket Sledge Ride . [ONLINE] Available at: http://wildrocketsledgeride.com/roads-underground-crazy/this-is-dystopian-le-corbusier-on-acid/. [Accessed 21 November 13]

Christie`s. 2013. JACOBUS JOHANNES PIETER OUD; Holland armchair.
 [Accessed 21 November 13]

Vitra Design Museum. 2013. Ludwig Mies van der Rohe. [ONLINE] Available at: http://www.design-museum.de/en/collection/biographies-of-designers/detailseiten/ludwig-mies-van-der-rohe.html.
 [Accessed 21 November 13]
 
Answers. 2013. Walter Gropius. [ONLINE]
 Available at: http://www.answers.com/topic/walter-gropius.
[Accessed 21 November 13]
 
politecture . 2011. America Changed the Man who Changed American Modern Architecture.
[Accessed 21 November 13]
 
Lushpad. 2013. Designs for Living. [ONLINE]
[Accessed 21 November 13]
 
My Artchtectural Moleskine. 2011. KENZO TANGE: YOYOGI NATIONAL GYMNASIUM, TOKYO.
 [Accessed 21 November 13]
 
 
Book: Fiell, C.F and P.F, 1999. Design of the 20th Century. 2nd ed. Germany: Taschen